Citra Perempuan dalam Karya Sastra Peranakan Tionghoa

Authors

  • Anung Nugroho Universitas Sebelas Maret Surakarta, Indonesia
  • Danang Try Purnomo Sekolah Tinggi Agama Buddha, Wonogiri, Indonesia

DOI:

https://doi.org/10.22515/bg.v2i2.1098

Keywords:

woman, structural, sociology literature

Abstract

Tionghoa literature is a literary work in the Indonesian language produced by Chinese people who were born in Indonesia. In the literary treasures of Indonesia, its literary works are still marginalized. Studies of Chinese literary works are also small. Therefore, the authors challenged to examine some literary works produced by peranakan citizens. As for the literary work of peranakan which is the source of this study data are three novels. The novel is (1) Lo Fen Koei (hereinafter abbreviated LFK) by Gauw Pe Liang, (2) Nyai Soemirah Story (hereinafter abbreviated as CNS) by Thio Tjin Boen, and (3) Flower Roos from Djikembang (hereinafter abbreviated BRDD) by Kwee Tech Hoay. The focal point of this research lies in the views or judgments of the novel authors on indigenous women. To help explore the novel, the author uses two research approaches namely, structural and sociological literature.

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References

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Thio Tjin Boen. (2001). Kesastraan Melayu Tionghoa dan Kebangsaan Indonesia (Jilid 2). Jakarta: Kepustaaan Populer Gramedia.

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Published

2018-03-27

How to Cite

Nugroho, A., & Purnomo, D. T. (2018). Citra Perempuan dalam Karya Sastra Peranakan Tionghoa. Buana Gender: Jurnal Studi Gender Dan Anak, 2(2). https://doi.org/10.22515/bg.v2i2.1098

Issue

Vol. 2 No. 2 (2017)

Section

Articles

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