CHARACTER ALTERATION OF CRUELLA FROM 101 DALMATIANS (1961) INTO CRUELLA MOVIE (2021)

Authors

  • Arynaa Azzahra Holy Paper Crown, Indonesia
  • Ata Yuniar Holy Paper Crown, Indonesia
  • Febiana Kusumastuti Holy Paper Crown, Indonesia
  • Sastila Calista Sumbayak Holy Paper Crown, Indonesia

DOI:

https://doi.org/10.22515/crossover.v3i1.5994

Keywords:

Cruella, character, character alteration, representation

Abstract

This journal researched Postmodernism from 101 Dalmatian movies and Cruella movies. The researchers are interested in evaluating the differences between 101 Dalmatians, produced in 1961, and Cruella, directed in 2021. The popularity of character transformation and the diverse eras introduced by these two films is the cause why these movies must be studied. The study's goal was to examine Cruella's transformation in both films. The researchers used the descriptive comparative approach to perform the research. The note-taking approach was employed in conjunction with Linda Hutcheon's postmodernism theory. The researchers found that the differences lay in historical representation, including their nature, relationship, and goal in the movies.

References

Dalmatians (n.d.). Moviepedia. Retrieved from https://movies.fandom.com/wiki/One_Hundred_and_One_Dalmatians/Transcript

Connell. (2003). The Year in Hypertension 2001. Taylor and Francis.

Cruella (2021). (May 29, 2021). Scraps from the Loft – Transcript. Retrieved from https://scrapsfromtheloft.com/movies/cruella-2021-transcript/

Ebert, R. (1991). 101 Dalmatians. Retrieved from https://www.rogerebert.com/reviews/101- dalmatians-1991.

Endraswara, S. (2010). Metodologi Penelitian Sastra. Media Pressindo.

Hutcheon, L. (1988). A Poetic of Postmodernism; History, Theory, Fiction. Routledge.

Hutcheon, L. (2003). The politics of Postmodernism. Routledge.

Reiss, T. J. (1992). The Meaning of Literature. Cornell University Press.

Klarer, M. (2004). An Introduction to Literary Studies. Psychology Press.

Kothari, C. R. (2004). Research Methodology: Methods and Techniques. New Age International (P) Limited Publishers.

Martinez, A. (2015). Cruella de Vil and the fairy godmother: Watching Disney with my students. Cultural Studies? Critical Methodologies, 15(1), 3-8. http://dx.doi.org/10.1177/1532708613516424

Nikmah, H. (2014). The Representation of Heroine's Myth by "Katniss" In Hunger Games Movie. State Islamic University Sunan Kalijaga.

Nurhalidasia. (2016). The Character Alteration of Maleficent from Sleeping Beauty into Maleficent Movie. Jurnal. Alauddin Islamic State University of Makassar. Retrieved from http://journal.uin-alauddin.ac.id/index.php/adabiyah/article/download/1759/pdf

Wellek, R & Warren. A. (1984). Theory of Literature: New Revised Edition. Harcourt Brace & World.

Richard, A., et al. (2004). Introducing Postmodernism. Gutenberg Press.

Rosenau, P. M. (1992). Postmodernism and the Social Sciences: Insights, Inroads, and Intrusions. Princeton University Press.

Sharmin, T., & Sattar, S. (2018). Gender Politics in the Projection of "Disney" Villains. Journal of Literature and Art Studies, 8(1), 53-57. http://dx.doi.org/10.17265/2159-5836/2018.01.006

Downloads

Published

2023-06-30

Issue

Vol. 3 No. 1: June 2023

Section

Articles

Citation Check

License

Copyright (c) 2023 Arynaa Azzahra, Ata Yuniar, Febi, Ila

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.